Golden Age of Travel Photography

Travel-3

 

So, we just came back from a trip to Paris and settled in. We have not had a chance to breathe comfortably or eat in. Boxes piled everywhere. Have not been to London or seen anyone’s underpants, but we drove from VT to FL, packed and unpacked (enough), flew to Paris and hung out on a beach. Now back to real life, if you can call it that living in South East Florida, West Boynton Beach, Valencia Reserve.

Some have asked where we lived. For someone like myself who didn’t like to go anywhere, we have moved a lot since 1999. Thought I’d be Brooklyn dead, but as one of my friends from Maple Street said, “you cannot predict the future.” Moved too many time recently, running away, more than I was running towards. Hopefully, I am here, now.

I took some pictures, along the way. Not enough. None up to the standard of Frank Zachary, who died at 101. He worked with Slim Adams, Henri Cartier-Bresson, Robert Capa and Arnold Newman, selecting images for style magazines of the day, magazines that informed, in addition to selling lifestyles of the rich and famous. He defined how looking at well structured images, by great photographers, could make the reader feel as if he was at the place pictured, not just sitting in a chair looking at them. Without his eye, none of the shots would have been seen by so many.

All of the shooters he worked with are my heroes, photographers whose work make you want to give up your camera. Not sure any editor would ever look at my stuff, another reason not to share and to give up. Well, I won’t.

 

Family in Florida

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So, we moved to South Florida, Boynton Beach. It’s near Del Ray. Haven’t seen Norman and Deena Burg for years, and, I mean years. We went out to eat. Deli food always comforts the Jewish soul. Went through the family tree. Many we remembered are dead. Some still alive, doing better than others.

Whose left and where are they? What do they look like? What are they doing?

Told them how we got here and why. Not a big deal, except that it took so long. But then again, it is. They are family.

Don’t have a lot of family. Nepotism didn’t help me a bit. But knowing people love Sharon, because of her desire to make family makes me happy. And it obviously makes others feel good, too.

Chabad Paris 2015

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Menachem Caroline, Chabad, Marais, Paris 2015-1

With the attacks on Jews in France on the rise and evidence of traditional anti-semitism rearing its ugly head, how pleasant to be stopped on the street by a Lubovicher from Crown Heights. We wrapped and rapped. He took us to the shul where we met a young rabbi in training who lives nearby in South Florida. Good Shabbos to all.

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No fear on the street. Many Jews. Falafel.

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And an old woman who knows everything.

Street Women Marais, Paris 2015-9

 

Onion River Cobbler

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Fred_Hopkins-3Steve and Fred Hopkins fix shoes, leather shoes. They fix bags, leather clothes, and items made from the skins of dead animals. Working in a little shop in Winooski, VT, they provide a service soon to become extinct. They will be missed as much as polar bears and telephone booths, whose disappearance will come for different reasons, and there is nothing we can do to preserve either.

Time was when a community couldn’t function without a cobbler. People wore leather shoes, carried leather bags, controlled horses with leather reins. Now, who wears leather shoes? Old people. Who rides horses to work? Synthetic totes are more weather resistant and lighter weight. How about women wearing heals? Not so prevalent anymore. And worn is the norm.

Six cobbler shops remain in VT. Hard to find apprentices. Pay is low. Takes a while to learn. Have to stand up all day. Air isn’t all that healthy. Cannot find help. Cannot find customers.

But, to a person who loves their shoes, people who have a pair of work shoes or cap toes or penny loafers, to have heels that protect the step and soles that protect the soul, not to forget the bottom of the foot, price doesn’t matter. The fit the foot and look good. A brain doesn’t work as well if the feet don’t feel comfortable. Good shoes can make the outfit. These leather doctors can make a person feel and look as good as a dentist or hair cutter.

GRATING

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Everyday I walk into my building, I pass this grate. Yellow tungsten light plays with the grate from the outside; bluer fluorescents on inside walls divide the inside. Empty space partitioned by shadows with no particular message.

I shot this without thinking about the shot, except to shoot it. Then when I converted it to black and white, I saw what I didn’t see. Just the magic of photography.

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Brennan – Just a Kid

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I don’t shoot a lot of kids. Don’t have any and don’t have friends who do. That’s how you get the business, I suppose, unless you happen to be good at it. But I can shoot kids. I talk with them, even if they don’t know what I am saying. I don’t make noises, raise or lower my voice or contort my face. They look at me. I shoot.

This kid I found at a wedding rehearsal dinner. His mother, the groom’s mother’s sister, Julie, held the reflector. People hooted at him in the background, yelling smile and cheese and other stupid shit. I didn’t need any help. He’s a beauty.

In their faces are the beginnings of what they will look like. Even at early stages, they look like older versions of themselves. Their skin, so smooth and blemish free. Their consciences clear of scars left by battles for self-esteem. Their mother’s love them, too, hopefully forever.

Lacey – Shear Envy

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Everyday, I come in contact with a number of people. None of them pay me. I pay them.

I go to the dentist, the food store, the gas station, all sorts of places where I buy goods or get services. Some of the people know me and call me by name. Others call me, “sir,” a surname I despise, because it makes me feel old. I don’t deserve the respect of being called sir and I don’t have a title. I know the names of those I see regularly for personal services and always call them by name. They are professionals, maybe not the lords of their domains, but independent, trained craftspeople.

I usually don’t talk with the people I meet in food stores, restaurants or gas stations unless they have a drill in their hand, a pair of scissors or are selling lottery tickets. How can I not? The relationship is so personal. They talk and you talk. They ask if they are hurting you, which they could. They make you more attractive or more appealing. They touch you personally, your hair, your car, your teeth, things which if not maintained can make me look shitty, not be able to eat or be an unsafe driver. And, a winning lottery ticket could change my life.

It’s different than a food store where they ask paper or plastic, credit or debit, do you want the receipt.

They look at me; I look at them. My camera always at my side, I feel compelled to shoot them. Not as they work, because I cannot have my gums cleaned or my beard trimmed and hold the camera, but posed in their place of doing business. Some let me. But, it’s a challenge. They are working. They have to clean their stations. Prepare for the next person. Relax. Smoke a cigarette. Text. I get a moment. I have to find the light, a comfortable setting the shows the environment and let the do the camera its thing.

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TILT in South Burlington – Out on a Date

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So, my girl is the best date anyone could ever have. Looks. Sense of humor. Stories. Cool. And, honest. She dresses. She talks. Pays for dinner. And I carry my camera. Sometimes, she gives me one or two shots. I usually miss. I beg for another. Sometimes, I get real portraits. She’s looking at me and I don’t what what she’s thinking. Always hoping she feels the same way I do.

What could be bad? Tequila. Pinball. Hamburger. And a beautiful date. Then she drives home.

PRESTON

And then there are the people working at the bar. I shoot working people. They stay in their environment, happy I order drinks and dinner. Many have asked them to pose. They make faces. Not real, but close enough. Got a shot. Preston, the bartender, he’s not giving much. Server has a toothy grin, pretty. But, it’s a problematic pose. Don’t know what he’s saying or what she’s doing, but he knows he’s being shot and so does she. Every photographer takes what he’s given and hopes to come back for more realism, if that’s possible.

35 Cherry St – From the Balcony

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Photographers have something to say, sometimes. I have to ask myself sometimes, especially when I am looking at something I see all the time, like people walking up the Battery, across the street from my condo, what do I have to say about this. It’s a scene only I see from this height and perspective, a rather selfish view since my neighbors can see the same set, albeit from a different angle. They’d see it, too, the scene, two people walking. Me. I’d see the light. I’d shoot it. And, then I’d wonder, whether the image which I captured on my rectangular sensor would look the same when it went up on a screen or on a piece of ink jet paper. It’s like seeing a beautiful woman and asking her out. Then you take her somewhere and when you look at her in a different light, does she still shine as brightly.