Fritz Lang at Fleming

To make a relationship work, you need to have things in common with your companion, otherwise you don’t have anything to talk about and you don’t need to be together. Sharon and I share film in common. Luckily, we both like film noir. Otherwise, we have lots of conflicting tastes. You could not guess correctly, if you tried who likes what.

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Christo at the Flemming

Christo spoke, backed by images of his and Jeanne Claude’s work. Some wept for her. “Jeanne Claude used to say, ‘we were born on the same day of separate Mothers.'” He covets the artistic process, while recognizing the politics of his craft. Not only a visionary, but he is, as Ashley Montagu would say, “a cultured man, an artist, an artist in humanity.”

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Hope Cemetery and Its Vehicles

The Pharaohs had boats to take them to the Netherworld. Some at Hope Cemetery have their lives as drivers recognized in death. Another must have liked to drive while listening to music. One has the car ready to drive the causeway to heaven. The graphics and sculptures make going to graveyards uplifting and interesting. All the dead have stories, but few have illustrations that hint of their lives. The addition of images gives those who didn’t know the person interred a hint as to their backgrounds and reminds those who do of something of importance to their loved one which they adorned to the grave in what must have been an act of love.

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Jim Winner Dead

Jim Winner died at 81. He developed the Club Antitheft device for cars, changing the lives of car thieves and car owners. No longer could someone with a screwdriver pop the ignition and drive a car away, basically without fear of being caught; no longer did drivers park their cars, fearing they would not be there upon return. Not sure whether theft insurance dropped in price, but anxiety certainly did.

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Sarah In City Hall Park

I have been trolling around the outskirts, trying to find the people who appear in my SEABA work that hangs in the Hall Gallery at 180 Flynn Avenue. I didn’t want her or any of them to hear that they had a featured spot in my exhibit from someone and be surprised or angry. I generally tell people whom I shoot why I shoot and what I will do with the shots. Its a difficult strategy. The more you say, the less intuitive the images. People become self conscious and less reactive to the camera. Their increased control diminishes the honesty of the interaction. Posing intensifies. Men, more than women, will ape-out. All I seek is their humanity and a slight bit of emotional honesty, assuming that is possible.

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Edward H. Campbell On Church Street

Corrected after e-mail from Mr. Campbell and a phone call. I try to be as accurate as possible, so I apologize for any misunderstandings.

Yesterday he asked me to e-mail him a photo I shot on Church St with his begging sign. Don’t usually include words with my images. Jay Maisel says that people will read the words before looking at the images. This is not to be confused with putting an image on a printed page which, according to my graphic design professors, is the first thing people will look at. Anyway, the images should speak for themselves. Not sure in Mr. Campbell’s case.

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The Art of Laura K. Winterbottom and Lorin Duckman

I met Laura’s art at the SEABA office gallery during art hop. To visitors, the pictures are just some images to be liked or disliked. To her family and friends, they are her statements about life, creative outbursts that survive her; gifts that she will give in spirit. To me?

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